A good article on Tal Wilkenfeld, Jeff Beck’s Young Aussie Bass Prodigy

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This is a little article that came out from the good folks at Gibson.  I hope you enjoy.  --  Compton



Meet Tal Wilkenfeld, Jeff Beck’s Young Aussie Bass Prodigy



Tal WilkenfeldThe questions really began soon after Eric Clapton’s 2007 Crossroads Festival aired on PBS. Emails crisscrossed the world as music fans attempted to identify the impossibly young-looking woman laying down the sinewy bass lines for mercurial English guitar god Jeff Beck. She even took a memorable solo turn on Beck’s Blow by Blow classic, “Cause We’ve Ended As Lovers!” Some speculated she was Beck’s daughter, while one writer insisted she couldn’t be more than 14―“Who’s that girl?”

The usual guitar and musician blogs were also soon abuzz about the fresh-faced young woman who seemed to have come out of nowhere to share the spotlight at Chicago’s Crossroads Festival with an ax legend whose previous bass players had included such notables as Stanley Clarke and Pino Palladino. Her presence was especially remarkable considering how often Beck has chosen to play in a trio format (with drummer Terry Bozzio and keyboardist Tony Hymas) in recent years, eschewing a bass player altogether. This past March Wilkenfeld’s rapidly rising public profile even prompted the readers of Bass Player magazine to vote Tal the Year’s Most Exciting New Player.

The Crossroads broadcast woefully neglected to list any individual band member credits, which only deepened the mystery Tal Wilkenfeld and Jeff Becksurrounding the identity of the young bass wiz. Rest assured that despite her fresh schoolgirl looks, Sydney-born Tal Wilkenfeld is an adult (most bios list her birthday as circa 1986)―merely a third Jeff’s age, rather than a quarter!―yet a musician whose resume already includes working with a stylistically far-ranging roster of veterans that includes Herbie Hancock, Chick Corea, Steve Vai, and the Allman Brothers.

All this from a young musical prodigy who’s been playing the bass less than five years― she took up guitar at 14 in her native Sydney, before switching over to the electric bass just three years later. “I’ve always just picked up any instrument and been able to play it―I could sit down at the drums or the piano and just play for fun,” Tal says of her musical gifts. “But as soon as I started playing bass I knew it was my instrument. It was like, ‘Yes this is it. I don’t even want to play guitar anymore, this is amazing.’”




 


Dropping out of high school―she says formal education “just wasn’t going to work for me”―to pursue music fulltime, she relocated to America at 18, spending considerable time turning heads in New York City before making Los Angeles her base. Along the way New York-based independent guitar and bass designer/manufacturer Roger Sadowsky heard her playing and promptly offered Tal an endorsement deal, another remarkable accomplishment for a musician whose career has barely begun.
Tal Wilkenfeld and Eric Clapton
By 20 she’d become variously a band leader and in-demand session/live player who’d gigged with the Allman Brothers and recorded Transformation, a well-received debut solo album she cut in two days of hectic NYC sessions, recordings which she also composed and arranged. At 21 she was touring Australia with Chick Corea, who she says “had heard about me and was looking for a bass player and so I sent them some of my stuff. Then I got this call from his people and they said: ‘Hey, do you want to do these gigs in Australia?’ And I was like, ‘Yes, sir!’”

Within months of the Corea gigs she was on the road in Europe as part of Jeff Beck’s band. Shortly after her widely seen Crossroads gig with Beck, the young Aussie phenom also found herself backing both Jeff and fellow guitar god/Yardbirds alum Eric Clapton during a multi-night stand at Ronnie Scott’s legendary London jazz club.

Here’s a profile of Tal from Australian television and a 2006 bass clinic video showcasing her remarkable playing.

Tal Wilkenfeld



 




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  • 8 Jul 2008 Bobby Revell wrote:
    That's refreshing to see! A hot 18 year old female jazz bassist!!! How cool! I love that tune - I saw Beck and John McLaughlin play that in New Orleans several years back. Anyway, she's really great, thanks so much for that
    Reply to this
  • 8 Jul 2008 Talen wrote:
    Wow, she's absolutely awesome and to be playing with such masters is amazing for someone her age. She definitely has the talent.
    Reply to this
  • 8 Jul 2008 Ovidiu - GuitarFlame.com wrote:
    This girl is absolutely amazing! I didn't know about her! She kick ass, at only 22 to have such a career!! She is some kind of Steve Vai of the bass guitar, or what?
    Reply to this
  • 8 Jul 2008 BillyWarhol wrote:
    wow - Saw Jeff Beck many moons ago + that is a Classic Album* Love Stanley Clarke + Al DiMeola*

    saw Clapton too + Stevie Ray Vaughan came out for the Encore + traded Licks*
    Reply to this
  • 8 Jul 2008 fragileheart wrote:
    Wow that is amazing!! I will certainly be following this girls career!! Thanks!
    Reply to this
  • 11 Jul 2008 Carol wrote:
    A couple ago, when I first heard of Tal, all I could think was she sounded so much like Jaco Pastorius, it limited her.

    She still has a lot of Jaco in her style, but she's come so stinkin' far! Amazing what perseverance, hard work and determination will do. (Maybe I can borrow some of hers?)
    Reply to this
  • 30 Jul 2008 Scott wrote:
    We saw Tal play with The Allman Brothers a few years back and were just floored. She didn't just sit in though, she took over bass duties for Oteil on the long version of Liz Reed, and wowed the crowd when she did the post drum solo bass solo. Very impressive indeed.
    Reply to this
  • 3 Jun 2009 Olivia wrote:
    I wanted to love this,but the bottom line is she sounds like an 18 year old kid with potential that is just not realized at this point. I teach here in the LA area and have a couple of kids(boys and not as pretty) who are just as good if not better. The Jeff Beck stuff is just lame although it's not entirely her fault(Beck was a great rocker and is now a lukewarm jazz noodler with no direction but the paycheck). Don't believe the hype - there are way cuter girls around and just as many better unknown bass players. I don't know, call me a hater, but I'm not buying into this.
    Reply to this

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